Music Data Analysis Book

C. Weihs, D. Jannach, I. Vatolkin, G. Rudolph (Eds.):
Music Data Analysis: Foundations and Applications, CRC Press, November 2016

List of errata is available here.

Teaching material can be found here: Book with Exercises and Data Sets for Exercises.
To obtain the “Solutions Book” for the exercises as an instructor, please contact orders@taylorandfrancis.com and provide information about the intended use of the book.

Summary

This book provides a comprehensive overview of music data analysis, from introductory material to advanced concepts. It covers various applications including transcription and segmentation as well as chord and harmony, instrument and tempo recognition. It also discusses the implementation aspects of music data analysis such as architecture, user interface and hardware. It is ideal for use in university classes with an interest in music data analysis. It also could be used in computer science and statistics as well as musicology.

List of chapters
1. Introduction (The editors)
I. MUSIC AND AUDIO
2. The Musical Signal – Physically and Psychologically (S. Knoche, M. Ebeling)
3. Musical Structures and Their Perception (M. Ebeling)
4. Digital Filters and Spectral Analysis (R. Martin, A. Nagathil)
5. Signal-Level Features (A. Nagathil, R. Martin)
6. Auditory Models (K. Friedrichs, C. Weihs)
7. Digital Representation of Music (G. Rudolph)
8. Music Data: Beyond the Signal Level (D. Jannach, I. Vatolkin, G. Bonnin)
II. METHODS
9. Statistical Methods (C. Weihs)
10. Optimization (G. Rudolph)
11. Unsupervised Learning (C. Weihs)
12. Supervised Classification (C. Weihs, T. Glasmachers)
13. Evaluation (I. Vatolkin, C. Weihs)
14. Feature Processing (I. Vatolkin)
15. Feature Selection (I. Vatolkin)
III. APPLICATIONS
16. Segmentation (N. Bauer, S. Krey, U. Ligges, C. Weihs, I. Vatolkin)
17. Transcription (U. Ligges, C. Weihs)
18. Instrument Recognition (C. Weihs, K. Friedrichs, K. Wintersohl)
19. Chord Recognition (G. Peeters, J. Pauwels)
20. Tempo Estimation (J. R. Zapata)
21. Emotions (G. Rötter, I. Vatolkin)
22. Similarity-based Organization of Music Collections (S. Stober)
23. Music Recommendation (D. Jannach, G. Bonnin)
24. Automatic Composition (M. Hester, B. Kümper)
IV. IMPLEMENTATION
25. Implementation Architectures (M. Botteck)
26. User Interaction (W. Theimer)
27. Hardware Architectures for Music Classification (I. Schmädecke, H. Blume)

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